{"id":6430,"date":"2026-08-25T15:18:00","date_gmt":"2026-08-25T13:18:00","guid":{"rendered":"https:\/\/nubialabs.com\/?page_id=6430"},"modified":"2026-08-25T16:02:29","modified_gmt":"2026-08-25T14:02:29","slug":"spinning-in-fluid-dreams","status":"publish","type":"page","link":"https:\/\/nubialabs.com\/ca\/spinning-in-fluid-dreams\/","title":{"rendered":"Spinning in Fluid Dreams"},"content":{"rendered":"\t\t
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Spinning In Fluid Dreams<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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ESPRONCEDA presenta Spinning in Fluid Dreams, una instal\u00b7laci\u00f3 VR de Nacoca Ko dins de NUBIA Labs 2026<\/b><\/p>

El dijous 9 de juliol de 2026, de 19:00 a 21:30 h, ESPRONCEDA \u2013 Institute of Art & Culture va presentar Spinning in Fluid Dreams, un projecte art\u00edstic immersiu de l’artista i comiss\u00e0ria ginebrina Nacoca Ko, en el marc de la 4a edici\u00f3 de NUBIA Labs 2026, sota l’eix Computaci\u00f3 Espacial i el Poder Transversal de l’Art Digital.<\/span><\/p>

La vetllada va oferir un espai de trobada on l’escultura f\u00edsica, la realitat virtual i el paisatge sonor van interactuar com a territoris de creaci\u00f3, sensibilitat i transformaci\u00f3. Iniciat el 2022 per un col\u00b7lectiu d’artistes i comissaris amb base a Su\u00efssa, el projecte pren com a punt de partida les centrals hidroel\u00e8ctriques del paisatge su\u00eds, interrogant els fluxos d’energia que sostenen tant la vida ecol\u00f2gica com les nostres exist\u00e8ncies cada cop m\u00e9s digitals \u2014 recordant com l’aigua flueix a trav\u00e9s de les turbines per alimentar el m\u00f3n digital. Al llarg del projecte, els artistes participants van instal\u00b7lar escultures en empla\u00e7aments hidroel\u00e8ctrics, capturades mitjan\u00e7ant imatges en 360\u00b0 i escaneig digital 3D, que despr\u00e9s es van transformar en els mons virtuals immersius presentats a la inauguraci\u00f3.<\/span><\/p>

Artist Talk<\/b><\/p>

La vetllada va comen\u00e7ar amb un Artist Talk de mitja hora, en el qual Nacoca Ko va compartir amb el p\u00fablic el proc\u00e9s creatiu darrere de Spinning in Fluid Dreams, la seva pr\u00e0ctica art\u00edstica i el paper del virtual en l’experi\u00e8ncia de l’art contemporani. La conversa va convidar el p\u00fablic a reflexionar sobre la relaci\u00f3 entre all\u00f2 natural, all\u00f2 tecnol\u00f2gic i all\u00f2 desconegut \u2014 el llindar de la Singularitat on, en paraules de l’artista, la predicci\u00f3 cedeix pas a la incertesa.<\/span><\/p>

L’experi\u00e8ncia VR<\/b><\/p>

Un cop finalitzada la xerrada, el p\u00fablic va poder submergir-se en el m\u00f3n interactiu de VR del projecte, compost per captures en 360\u00b0 i escultures escanejades en 3D instal\u00b7lades en centrals hidroel\u00e8ctriques de tota Su\u00efssa. Els visitants van rec\u00f3rrer aquests paisatges estratificats, trobant aparicions escult\u00f2riques i paisatges sonors que responien al moviment, amb una orientaci\u00f3 circular que reflectia el ritme de les turbines. Un mapa hidrol\u00f2gic de Su\u00efssa generat per dades va servir de marc de navegaci\u00f3, reimaginant els sistemes d’aigua com a models po\u00e8tics de les xarxes en l\u00ednia \u2014 una ontologia fluida entre natura i tecnologia, all\u00f2 anal\u00f2gic i all\u00f2 virtual, all\u00f2 hum\u00e0 i all\u00f2 no hum\u00e0.<\/span><\/p>

Visita guiada amb l’artista<\/b><\/p>

Com a moment culminant de la inauguraci\u00f3, Nacoca Ko va conduir una visita guiada per l’espai expositiu, acompanyant el p\u00fablic entre les seves escultures originals presentades a ESPRONCEDA i explicant de primera m\u00e0 com cada pe\u00e7a es relaciona amb el seu bess\u00f3 digital dins l’entorn de VR. Aquest di\u00e0leg directe entre l’artista i el p\u00fablic va permetre una lectura m\u00e9s profunda de l’obra, connectant la mat\u00e8ria f\u00edsica amb la seva transformaci\u00f3 virtual.<\/span><\/p>

La sessi\u00f3 va tancar amb una resposta molt positiva del p\u00fablic, que va omplir l’espai durant tota la tarda i va participar activament tant en l’experi\u00e8ncia immersiva com en la conversa amb l’artista, confirmant Spinning in Fluid Dreams com una de les propostes m\u00e9s destacades de NUBIA Labs 2026.<\/span><\/p>

Sobre els artistes<\/b><\/p>

Nacoca Ko \u00e9s una artista i comiss\u00e0ria amb base a Ginebra, Su\u00efssa, que treballa a trav\u00e9s de l’escultura, la imatge en moviment, la performance i els entorns virtuals. Compromesa amb la intel\u00b7lig\u00e8ncia no humana i artificial, la seva obra explora com els sistemes tecnol\u00f2gics reconfiguren la psique personal, la consci\u00e8ncia col\u00b7lectiva i el medi ambient.<\/span><\/p>

A trav\u00e9s de la seva pr\u00e0ctica de mons virtuals, Ko crea entorns immersius on les realitats digital i f\u00edsica s’intersecten. Utilitzant VR, AR i plataformes en l\u00ednia, investiga com l’atenci\u00f3 i la percepci\u00f3 es transformen en aquests espais h\u00edbrids. Esculpint amb pol\u00edmers i formig\u00f3, examina els materials que els \u00e9ssers humans deixen enrere, aquells que persisteixen molt despr\u00e9s de la nostra desaparici\u00f3. En el llindar de la Singularitat \u2014on la predicci\u00f3 cedeix pas a la incertesa\u2014 Ko recorre al ritual i a l’especulaci\u00f3 mitopo\u00e8tica com a forma d’ancoratge, situant all\u00f2 hum\u00e0 com un fr\u00e0gil conductor entre all\u00f2 natural, all\u00f2 tecnol\u00f2gic i all\u00f2 desconegut. Els seus projectes recents inclouen exposicions al Museu Futuros \u2013 Arte e Tecnologia (Rio de Janeiro, 2025), Museu Eva Klabin (Rio de Janeiro), Art Gen\u00e8ve i Photo Basel, entre altres contextos internacionals. A l’exposici\u00f3, Ko presenta les videoinstal\u00b7lacions Main Wall Video i Floor Video, aix\u00ed com les peces escult\u00f2riques The Girl, the Queen, and Everything in Between i Neopelagic Drift.<\/span><\/p>

Antoine F\u00e9lix B\u00fcrcher \u00e9s escultor su\u00eds que treballa amb vidre fos i materials alterats per construir estrats temporals. Ha participat a la Werkschau del Museum Haus Konstruktiv (Zuric) i a la Swiss Triennial of Sculpture, Bad RagARTz (2024), i \u00e9s receptor del Prix Arts Visuels Vaud (2025). La seva pe\u00e7a a l’exposici\u00f3, Climat Maintenance, combina vidre, un ventilador d’ordinador reciclat i una caixa met\u00e0l\u00b7lica.<\/span><\/p>

Monic Unser \u00e9s comiss\u00e0ria i historiadora de l’art su\u00efssa els projectes institucionals recents de la qual inclouen Plattform25 al CAN Centre d’art Neuch\u00e2tel (2025) i edicions anteriors al Kunstmuseum Appenzell. \u00c9s Comiss\u00e0ria Assistent al Cabaret Voltaire Zuric, on desenvolupa exposicions i programes basats en la performance que aborden hist\u00f2ries feministes, pr\u00e0ctiques arxiv\u00edstiques i art experimental contemporani.<\/span><\/p>

Els altres artistes participants a Spinning in Fluid Dreams presenten les seg\u00fcents obres:<\/span><\/p>

  • Jan Steenman \u2014 <\/span>Entrance Video<\/span><\/i>, una videoinstal\u00b7laci\u00f3 de projecci\u00f3 digital que dona la benvinguda als visitants a l’entrada de l’espai expositiu.<\/span><\/li>
  • Paul Fritz \u2014 <\/span>Athazagoraphobia<\/span><\/i> (2024), una pe\u00e7a d’una s\u00e8rie de 15 escultures en acer pintat i feltre.<\/span><\/li>
  • River Oracle (Paloma Ayala, Melody Chua, Anne-Laure Franchette, Riikka Tauriainen, Kay Zhang) \u2014 <\/span>River Oracle (Cyanotype)<\/span><\/i> (2022), una obra t\u00e8xtil col\u00b7lectiva en cot\u00f3 org\u00e0nic amb cianotip.<\/span><\/li>
  • Paulo Wirz \u2014 <\/span>Apanhador (Catcher)<\/span><\/i> (2021\u20132026), una escultura en llaut\u00f3 fos amb cordill de c\u00e0nem tenyit de vermell, claus de ferro i filferro de coure.<\/span><\/li>
  • Lea Sblandano \u2014 <\/span>Bodies of Water<\/span><\/i> (2024), tres peces murals en plexigl\u00e0s esculpit a m\u00e0, i la s\u00e8rie <\/span>ABLOOM<\/span><\/i> (2022), escultures 3D en resina pintades a m\u00e0.<\/span><\/li>
  • Hugo Langlade \u2014 <\/span>CONGRATULATIONS!<\/span><\/i> (2026), una instal\u00b7laci\u00f3 amb impressi\u00f3 fotogr\u00e0fica CGI muntada sobre marc de fusta i tira LED.<\/span><\/li>
  • Ricardo Meli \u2014 <\/span>For the Rain<\/span><\/i> (2024), una escultura mural amb elements penjants, i <\/span>C-28<\/span><\/i> (2026), una escultura en acer i guix.<\/span><\/li><\/ul>

    \u00a0<\/p>

    Sobre NUBIA Labs<\/b><\/p>

    Spinning in Fluid Dreams es presenta en el marc de NUBIA Labs 2026, el programa d’incubaci\u00f3 i acompanyament professional d’ESPRONCEDA dedicat a projectes d’art digital i computaci\u00f3 espacial, incloent tecnologies XR (AR\/VR\/MR), intel\u00b7lig\u00e8ncia artificial creativa, instal\u00b7lacions interactives en temps real i entorns immersius.<\/span><\/p>

    Sobre ESPRONCEDA \u2013 Institute of Art & Culture<\/b><\/p>

    Fundat el 2013 a Barcelona, ESPRONCEDA \u2013 Institute of Art & Culture \u00e9s un centre internacional independent dedicat a la recerca art\u00edstica i la producci\u00f3 cultural, promovent el pensament cr\u00edtic i interdisciplinari a trav\u00e9s de l’art contemporani, els nous mitjans, la ci\u00e8ncia i l’educaci\u00f3.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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    \"Audience<\/figure><\/div>
    \"Visitors<\/figure><\/div>
    \"Interior<\/figure><\/div>
    \"Spinning<\/figure><\/div>
    \"Visitor<\/figure><\/div>
    \"Sculpture<\/figure><\/div>
    \"Nacoca<\/figure><\/div>
    \"Nacoca<\/figure><\/div>
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    <\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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